

>implying musical superiority
Started by 002 // F#m, May 06 2010 12:52 PM
11 replies to this topic
#1
Posted 06 May 2010 - 12:52 PM
>Fm9
>implying a 7th
derp
>implying a 7th
derp
#2
Posted 09 May 2010 - 05:19 PM
english please
#3
Posted 10 May 2010 - 02:36 PM
chord shit
#4
Posted 10 May 2010 - 03:03 PM
A dominant ninth is a dominant chord with a ninth. A ninth chord, as an extended chord, typically includes the seventh along with the basic triad structure. Thus, a Cmaj9 consists of C E G B and D. When the symbol "9" is not preceded by the word "major" or "maj", the implied seventh is a dominant seventh -- e.g. a C9 consists of C E G B♭ and D, and would usually be expected to resolve into a chord of F major (the implied key, C being the dominant of F).
#5
Posted 10 May 2010 - 06:27 PM
pancakes and waffles.
#6
Posted 14 May 2010 - 11:21 AM
You're all a bunch of bassoons.
#8
Posted 18 May 2010 - 11:26 AM
holy shit I don't know who you are but I love you bro.
p.s. today was
>hey guys I know the chords and everything to this song but I don't know the bari sax solo, can someone write it out for me?
>fuuuuuuuuuu.jpg
#10
Posted 27 June 2010 - 02:44 AM
Ninth chords are fucking pig disgusting, music that uses them as anything other than a suspension is fucking entartet
#11
Posted 27 June 2010 - 04:49 AM
http://vocaroo.com/?media=voLcvAQXMOGRCsR8S
I love the ninth :(
(first few seconds are just me doodling around F#m penta)
I love the ninth :(
(first few seconds are just me doodling around F#m penta)
#12
Posted 27 June 2010 - 05:24 AM
I like properly resolved ninths too: http://www.youtube.com/watch?v=Q0sr-qmH-To#t=2m10s
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